Wednesday, January 25, 2017

THE SUMMARY OF THE STRUCTURE AND LAWS OF THE LITURGICAL CELEBRATION (PAGES 207-215)

THE ALTAR: In the liturgy of the Roman rite of the Catholic Church, the altar is the table on which the sacrifice of the mass is offered. The altar is traditionally made of stone, calling to mind Christ as the living cornerstone of the catholic faith. However, as the most venerable spot in the church, the traditional stone is preferred. The altar is first of all a table, a dining table at which the priest, who represents Christ the lord, does what the lord himself did on Holy Thursday and ordered his disciples to do in their turn in remembrance of him. The celebration of the Eucharist on the stone altar turns the latter into an image of Christ and that is why according to a twofold symbolism, there is the theme of the stone as the rock from which Moses caused water to flow, and the rock was Christ[1]. Then there is the theme of the stone altar, a theme initiated in Genesis[2] and developed on the basis of deuteronomic regulation for the offering of holocausts. In the 4th century the builder of the cemeterial basilicas of the fourth to the sixth century often sought, even if it meant overcoming very great difficulties, to link the body of the martyr with the altar on which the Eucharistic sacrifice was to be celebrated. The connection may have been suggested by the apocalypse.[3] There used to be one altar in the new churches which presupposes that we have but one savior and one Eucharist. But it is also meritorious having additional small chapel, set aside from the main body of the church for weekday masses and individual visits of the faithful. In the liturgical exercise, respect is shown devotedly to the altar in various mannerisms which include: the kissing of the altar at the arrival of the priest and at the end of mass.
THE BAPTISTERY: Here we were made to understand that Baptistery is a hall or chapel situated close to, or connected with, a church, in which the sacrament of baptism is administered. It should be strictly reserved for the sacrament of baptism and should be a place worthy for Christians to be reborn in water and Holy Spirit. In their architecture, which was inspired by the halls for the baths, the baptisteries followed a centralized plan; allegorical considerations suggested an octagonal form. The veneration felt for baptisteries can be seen in the marvelous artistic flowering they stimulated and in liturgical rites, particularly Rome, a procession of neophytes went on pilgrimage to the baptistery every evening of Easter week. As adult baptisms became increasingly rare, and especially once the practice of immersion disappeared, baptisteries were reduced in size and came to be placed inside the parish churches, close to the entrance. Canonical legislation spoke no longer of baptisteries but simply of the baptismal font. The desire for community participation often led to the celebration of baptisms not in the baptistery proper but in the sanctuary of the church, the de- meritorious aspect of this is that it deprived Christians of the possibility of venerating the place where they had been baptized.
THE CEMETERY: The cemetery was a place where the bodies of all the brothers and sisters waited for the resurrection; it had to proclaim this expectation and avoid grandiloquence, vanity, luxury, and much more, any trace of paganism and as such, Here we were made to understand the fact that initially Christians did not have cemeteries of their own even though they took over everything in the funeral traditions of their cities that was unharmonious with their faith and their hope. But in the 3rd century the roman community had already constructed its own cemetery but only the underground aspects survived, however, as a follow up to that, their original form was subverted after the peace of Constantine by the desire of Christians to be buried near the martyrs. In fact in the middle ages many people lobby the honour of being buried inside the churches, while the other graves clustered around the outside. Despite the miasma created by modernity, the holy mother church still desires that wherever possible it continue to have cemeteries of her own.
OBJECTS SET ASIDE FOR CULTIC USE                  
THE SACRED VESSELS: The sacred vessel is very much imperative among basic or fundamental requirement in the celebration of the Holy Mass, most especially the chalice and paten, which are used for the presentation, consecration, and receiveing bread and wine. The cup at the last supper was a single cup from which all the guests were supposed to drink according to the ritual of the Passover meal; beginning with the letters of st.paul[4] and this single cup becomes the symbol of ecclesial unity, the grace of which it contains.
CROSSES AND ICONS: Cross is meant to be placed near the altar in our modern mileu so that the assembly can figure it out easily. Though in 25th century, the processional cross was placed opposite that altar by a sub-deacon when the cortege arrived, later on, a small cross was placed on the altar. In reference to churches tradition, the images of the Jesus, the blessed virgin, and the saints may be legitimately venerated by the assembly.  Among the Byzantines, on the other hand, icons are required in the place of worship, and certain liturgical acts must be performed before them. As a matter of fact they are different from the images we have In the west not only by reason of this close connection with the liturgy but also by reason of the artistic choices that they embody and the spiritual attitude of the faithful toward them.
THE BELLS: The faithful were summon for the liturgy in a primitive mannerism in the early centuries, some eastern churches have continued to use the wooden simandron or the sideroun, which are hanging objects that are struck with a mallet. But towards the end of 5th century  the use of bells spread everywhere. The middle ages assigned them the further function of urging the absent faithful to unite themselves in prayer with the liturgy then being celebrated and this is why bells are rung during the celebration, in the course of the Eucharistic prayer as well as of stimulating the faithful to mements of private prayer like ringing of the ave maria or angelus.




[1] 1Cor 10:14
[2] Gen 28:18
[3] I saw under the altar the souls of those who had been slain for the word of God and for the witness they had borne: Rev 6:9
[4] 1Cor 10:16

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